Summer pastoral by Francois Boucher - Painting-Planet.
Article Wikipedia article References Possibly the most popular 18th century artist, Francois Boucher was a French painter in the Rococo style. When he was 17 years old, Boucher was apprenticed for a short time to the French painter Francois Lemoyne, and then to the engraver Jean-Francois Cars.
The Francois Boucher Old Mill tapestry was designed by Boucher in 1751. He was court painter to Louis XV and Director of the royal workshops in Beauvais where this was woven. He created many pastoral tapestries, including the Noble Pastorale tapestries series, with a classical, amorous touch. This tapestry is woven now in Italy in 75% cotton and 25% viscose and it is lined, with a rod pocket.
Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.
A result of Boucher teaching Fragonard, specifically in the continuation of pastoral, Boucher was a great influence. This is obvious when The Happy Lovers is compared to Boucher’s The Bird Catchers (appendix: fig. 2). Both paintings include subjects of women holding bird catchers and doves, ultimately symbolizing woman’s ability to control relationships. More specific to The Happy Lovers.
Autumn pastoral (detail) is one of artworks by Francois Boucher. Artwork analysis, large resolution images, user comments, interesting facts and much more.
Boucher's tapestry cartoons of pastoral scenes were highly treasured, and were exported not only within Europe, but also as far as China. He would also later be appointed to Inspector of Works at the Gobelins tapestry manufacture. His signature Rococo style was well suited to the decorative arts; soon his designs were reproduced on porcelain. An interest in theatre soon translated into a role.
Description of the painting by Francois Boucher “Pastoral” Updated on 08.01.2019 By Admin. Francois Boucher became famous not only as a talented artist, ideally corresponding to the spirit of his time, but also as a decorator and author of engravings. Illustrated many books. Most often he turned to mythological plots, but he painted them in a pastoral vein, partly decorative, showing rare.